Some thoughts on the Duuran process
I still want time to thoroughly read and digest Kiyan's soundings, but here are my experiences of the process so far:
Kiyan asked me to list six symbols of importance to me. This took some doing as I don't wear symbols or carry talismans. I had to look around my environment, my writings, my everyday life to see what recurred - the first thing that I noticed was the wheel. This is a recurring theme, particularly in writing - I once wrote a long philosophical poem called the Wheel, but I won't inflict it on you here.
The Wheel is also a powerful symbol in the earliest Tarot I ever saw, not the familiar tarot, but a set of Gypsy fortune cards owned by my grandmother. I designed a saet of Romany cards based on the symbols I remembered from that set, and included the wheel - and of course, the Wheel of Fortune is a Major Arcana card as well, and one I often turn up in readings. So it seemed to me that the Wheel was a strong symbol in my life, I felt an affinity with it, and I listed it.
The next symbol came to me very quickly - the Horse. Horses have always been a big part of my life, but what clinched it was remembering something my son said years ago - he likened me to a wild horse and said the horse was my spirit animal, something I understood immediately was the simple truth.
Colour is important to me, since I have loved art since I was a small child - but the one colour I love most is the colour of the ocean, that deep jade blue green gemlike colour. I use it often, try to reproduce it, wear it - it recurs in my life and qualified as a symbol.
Then it got hard - finally I chose lavender for the next symbol because like the others, it is a common recurring theme for me. I specifed wild lavender - not sure why, but that's how it came out so I left it.
Looking around, I saw some religious symbols in my life - a statue of Buddha given to me by my daughter, a small brass Buddha my son gave me, a picture of my favourite Indian God, Ganesh - but only one - how shall I put this - gives me an emotional reaction. I have a small statue of Kwan Yin, and I love her dearly. Her counterpart in Indian mythology, Lakshmi, is currently one of my projects as I remake an Indian doll into a shrine for Duwali, the Festival of Lights. I showed my children this celebration when they were small and they loved lighting the candles and leaving gifts for the Goddess. So it seemed this Goddess is a recurring theme as well, and I included her.
Finally the Celtic Knot - simply because it is a symbol of who I am, a Celt and a traveller, Irish born and still steeped in the lore I heard as a child.It wasn't easy to make this list - as a young woman I surrounded myself with symbols and would have had difficulty choosing, but lately I haven't given it much thought.
Yet when I did look, I was surprised to see that some symbols still so persist.I wrote them down pretty much as I thought of them, in an instinctual way, and did not at that time, add any details or thoughts on why or how I chose them. I'm not sure now if I should have done that for Kiyan, but it seemed the proper way at the time.
The Grotto della Sibilla in the Umbrian Mountains which was first mentioned in classical legend. Guerino the Wretch reaches a mountain pass near Norcia in Umbria where he meets with the Devil. The Devil, of course, wants Guerino's soul and tempts him by describing a subterranean kingdom where every delight will be his. Seemingly, in this kingdom, trees flower and fruit at the same time and there is no pain or age or sorrow.

1 Comments:
Intriguing! I am fascinated to hear your experience of the process Gail.
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